Kamis, 29 Juli 2010

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  • Published on: 2011-12-15
  • Binding: Paperback

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Jumat, 23 Juli 2010

[Y589.Ebook] Free PDF The Way We Live: An Ultimate Treasury for Global Design Inspiration, by Stafford Cliff

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The Way We Live: An Ultimate Treasury for Global Design Inspiration, by Stafford Cliff

Spectacular in scope yet intimate in detail, The Way We Live transcends the archetypal style book to reveal global connections and patterns in home decoration. This unique body of detailed design inspiration encompasses the full range of options, from climate, location, and size to surfaces, arrangements, and colors. Whether you’re decorating a beach house in Chile or a loft space in Paris, you’re sure to be inspired by hundreds of images from around the world—a Moroccan house that coolly mixes the modern and traditional in elegant interiors; a dramatic arrangement of shells decorating a tabletop in Mauritius; flowers strewn across bare floorboards for a Christmas feast in Sweden. The enormous range of places here highlight connections and parallels of very different habitats in a way both striking and reassuring. The same attention to detail can clearly inform the layout of a dining room in a modest Mexican home as it does an exclusive club in Buenos Aires. This encyclopedic tome, a sublime visual record of how we construct and adorn our living spaces, celebrates our communal experience of the home.

From coastal hamlet to urban center, design expert Stafford Cliff compares architectural styles and decorating details from every corner of the world, whether it is a modest adobe dwelling whose contours complement those of the earth or a skyscraper of glass and steel that contrasts the natural terrain. The ingenuity of each culture shines through in the instinctive use of colors and materials, and in the way the spaces are inhabited.

The world tour of interior design elements and accents is lavishly presented in more than 1,000 glorious color photographs by famed lifestyle photographer Gilles de Chabaneix. Humble yet interesting structures, objects, and settings are all viewed with the same eye as the grandest homes, the rarest antiques, or the most exclusive addresses. From an unadorned Vietnamese sitting room to a bustling Neapolitan street market; a modern London flat to a baroque drawing room in Versailles; an Indian palace to a Chilean caf�, here is a world where old and new, organic and synthetic, happily coexist. And within these interiors, a myriad of choices and inspirations are seen in the contrasts between stark simplicity and sumptuous embellishment, minimal modernism and rococo splendor, the self-consciously urbane and the authentically rustic, the uniform and the eclectic. Fabrics, textures, and ornamental details reflect the complexity of different spaces and lifestyles, spurring countless ideas for personal self-expression. It seems that the way we live is not always defined by where we live.

Commentary on communal open space, which connects us to one another, and a meticulous guide to sources and materials round out this ultimate treasury. Both beautiful and practical, The Way We Live is much more than a decorating guide—it is a design for living.

  • Sales Rank: #339593 in Books
  • Brand: Brand: Potter Style
  • Published on: 2003-11-04
  • Released on: 2003-11-04
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.30" h x 1.60" w x 10.20" l, 6.38 pounds
  • Binding: Hardcover
  • 480 pages
Features
  • Used Book in Good Condition

About the Author
STAFFORD CLIFF has both written and designed numerous style books, including Greek Style and Caribbean Style, and was a contributor to Terence Conran’s definitive home design guide, The House Book. Formerly the creative director of London’s Conran Design Group, one of the world’s first multidisciplinary design companies, he currently works as a freelance consultant and author. Stafford Cliff lives in London.

GILLES DE CHABANEIX has been one of France’s most prominent photographers of design and lifestyle for many years. His work has appeared in many books and in all of the leading style magazines, including Elle Decoration and Marie-Claire.

Most helpful customer reviews

14 of 14 people found the following review helpful.
Great Research Book.
By Remy
As an interior designer, I often start thinking about new spaces by doing research as to what other people have done in the past in similar situations...this is a great book to have in your library for that purpose. I've referenced it many times to show clients the sort of "mood" I'm looking to create before we sit down to hammer out the nuts and bolts of how that feeling translates into a different space with different furnishings and fabrics...this book won't teach you how to make curtains, but it is well worth the investment as exactly what it says it is..."a global design inspiration".

28 of 28 people found the following review helpful.
A Comprehensive and Sensitive Survey of Peoples and their Habitats
By Grady Harp
Stafford Cliff has collected images from all around the world and with the help of superb photographer Gilles de Chabaneix has done what few other innovators in design have done - created a book that is, yes, about design, but is equally about how climate, place, ethnicity, tradition, cultural philosophies, and history inform the decisions people make about their living environments.

Not just viewing the gracious homes of the wealthy of the planet (though there are plenty of gorgeous 'palaces' of design to please the most art hungry eye), Cliff views the differences geography makes in dwellings, from spectacular vistas of the sea to the mountains and to the deserts, and how the climates influence the manner in which 'design' is used. As interested in discussing and sharing the most humble abodes with the most lavish mansions, Cliff doesn't miss a beat as he and de Chabaneix journey to places obscure and places of notoriety. The emphasis is always on the manner in which the people of these dwellings adapt and incorporate their living spaces to their environment.

A book that is both sumptuous in design itself and tender in its approach, THE WAY WE LIVE will appeal to both students of design and to those who long to understand the essence of living, wherever they travel. Highly recommended. Grady Harp, December 05

3 of 3 people found the following review helpful.
The Way We Live
By M. Erroll
The Way We Live: An Ultimate Treasury for Global Design Inspiration

Houses, castles, rooms, gardens, people, colours, moods of every description. Beautifully photographed. As the title indicates the way we live with the following description 'an ultimate treasury for global design inspiration'. It is certainly that. Just wonderful.

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Kamis, 15 Juli 2010

[M936.Ebook] Fee Download Moonshadow: Rise of the Ninja, by Simon Higgins

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Moonshadow: Rise of the Ninja, by Simon Higgins

In the moonlight, the explosive fast draw became a horizontal streak of silver, flashing momentarily from the cover of the shadow. The tip of Moonshadow's sword ambushed the lurking foe, who stood, still drawing his own weapon.

It's the dawn of an age of peace in medieval Japan, and a power hungry warlord is plotting to plunge the nation into a deadly civil war using a secret weapon from the West. Enter Moonshadow, the newest and youngest agent for the Grey Light Order, a covert brotherhood of shinobi (ninja spy warriors) who work for the shogun. For his first mission, Moonshadow is sent on a perilous journey to capture the plans for the secret weapon. Can Moonshadow defeat the evil warlord, rogue samurai, professional killers, and another ninja spy to save his country from violent chaos? Or will his first mission also be his last?

This thrilling ninja adventure by Simon Higgins, an expert Japanese swordsman, combines gripping action, humor, hold-your-breath suspense, and even a bit of magic for an exciting and fast-paced read!

  • Sales Rank: #1504947 in Books
  • Published on: 2011-05-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x 1.00" w x 5.25" l, .60 pounds
  • Binding: Paperback
  • 352 pages

From School Library Journal
Gr 5-8–Moonshadow is the newest member of the shogun's secret service. An orphan trained by the Grey Light Order, the young ninja is able to look into the eyes of animals and command them to follow his wishes by using his ki. That remarkable ability and his sword skills are all he can rely on during his first mission, stealing plans for a dangerous weapon from an unhappy warlord who hopes to rekindle war in Japan. Moonshadow must survive not only assaults by the warlord's hired warriors–a gangster, a swordsman, and a legendary ninja–but also by a rival spy, who is a girl his own age trained by the Grey Light Order's most powerful enemies. The swordplay is fast and furious, and Japanese terms and places are integrated in a manner that reluctant readers will find accessible. This adventure is part spy novel, part magic, and all fun.Alana Joli Abbott, James Blackstone Memorial Library, Branford, CT
� Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
In this good old-fashioned adventure set in medieval Japan, Moonshadow is a young “ninja spy warrior” who, after extensive training, sets off on his first mission—to foil the plans for a secret weapon by nefarious characters who want to disturb the peace. Following the exhilarating opening sequence, which establishes the drama to come, the nonstop action requires readers to be, like ninjas themselves, ever vigilant. The pacing is so intense that if readers let down their guard, they will miss something important about Moonshadow's ability to see through the eyes of animals, control his sword, battle his enemies, and get to know an unexpected female compatriot. The language is modern, but the setting, clothing, tactics, and tools are well placed in their time period, and a glossary provides further insight into the characters' names and experiences. Once drawn in by the opening words, “for glory or destruction,” readers will be satisfied by the length and polished writing and will look forward to forthcoming sequels. Grades 4-7. --Andrew Medlar

About the Author
Simon Higgins is the author of the bestselling Thunderfish trilogy which was a Children's Book Council of Australia Notable Book and also the Jade Draper series. He is an expert in Japanese swordsmanship and lived in Japan for a number of years.

Most helpful customer reviews

5 of 5 people found the following review helpful.
A Timely and Exciting Read - Especially for Boys and Those Interested in Martial Arts and Japan!
By M. Lee
As a mother who screens everything her 11-year-old daughter reads, I had previously (as well as said daughter) thoroughly enjoyed Maya Snow's "The Sisters of the Sword" series and was looking for more stories set in medieval Japan. Our wonderful librarians introduced us to "Heart of a Samurai" by Margi Preus, another excellent book, and while waiting to get checked out, I came across "Moonshadow: Rise of the Ninja" by Simon Higgins - and what a lucky find that was! Simon Higgins, a writer who should write his own life story some time, dies a fantastic job summarizing the differences between "samurai", "ninja" and "ronin" in a few short paragraphs, and takes us on a thrill ride that reflects the author's own martial arts training.

The writing is precise and controlled, and even if at times, the story itself is a little predictable, I enjoyed the excursion tremendously. This is a great book for boys, actually, who are interested in either martial arts or Japan. Coincidentally, both "Moonshadow" and "Heart" came to us just in the weeks following the tsunami and earthquake in Japan, and it is obvious that both authors understand and appreciate the stoicism and bravery of the Japanese people in the face of tremendous tragedy, both historically and currently. Happily, in "Moonshadow", Simon Higgins' used his admiration for the Japanese and knowledge of his art (both writing and martial arts) start and maintain the pace of the adventure. We are really looking forward to "The Nightmare Ninja"! In said daughter's own words:

"Moonshadow is the newest agent of the Grey Light Order, a secret brotherhood of ninja spy warriors in medieval Japan who try to do good in the world. For his first mission, Moonshadow is sent to retrieve the plans of a new gun in the hands of an evil samurai. But will Moonshadow's first mission be successful? Or will his feelings for a rival spy, Snowhawk, cause his failure ... and death in the arms of the Deathless, a legend samurai who killed his own master and has the ability to stop his own blood from spilling when he is cut?

"My favorite part in the book was when Moonshadow decided to save a bunch of farmers from bandits even though he wasn't supposed to let anything get in-between his mission because he felt sorry for them and decided to trust his gut and rescue them. I think that that showed bravery, kindness and quick thinking.

"I would give the book five stars: two for the plot, two for the characters, and one for the writing. Like John Flanagan, bestselling author of `The Ranger's Apprentice', I agree that this book is `masterful.' The book, `Moonshadow: Rise of the Ninja' by Simon Higgins is a great book!"

3 of 3 people found the following review helpful.
Authentic and enthralling (somewhat bloody) adventure
By Maggie Knapp
MOONSHADOW: RISE OF THE NINJA contains lots of action, the expected level of violence, and a dose of magic, stirred together in an enthralling adventure set in the samurai culture of medieval Japan. Naneshi ("No Name") was abandoned on the steps of the Grey Light orphanage, and has grown to a talented young teen fighter. He is given the name Moonshadow before being sent out to perform dangerous feats against powerful enemies. The frequent use of Japanese terms (explained in context and in a helpful glossary in the back) and the details of the weapons and fight techniques lend a delicious air of realism to the story. The author weaves in comments on patience, honor and loyalty along with the piercing shuriken and the pounding bo. Readers who like Jeff Stone's FIVE ANCESTOR'S series, Maya Snow's SISTERS OF THE SWORD and Chris Bradford's YOUNG SAMURAI will most likely enjoy this book as well.

2 of 2 people found the following review helpful.
first is solid, second disappointing
By B. Capossere
Moonshadow: Rise of the Ninja and Moonshadow: The Nightmare Ninja are the first two installments in a series of YA books by Simon Higgins about, well, ninjas. The first book was mostly entertaining if a bit slight, but the second, unfortunately was disappointing due to an overreliance on fight scenes. While the series has potential, it took a step backward in book two.

Moonshadow is the title character, a young member of the Grey Light Order of ninjas. In Rise of the Ninja, we meet his as he is completing the final stage of his training. Upon succeeding, he is granted his new ninja name--Moonshadow--and his first assignment: to steal the plans for a new kind of weapon from Silver Wolf, an evil samurai seeking to overturn the current social order. To do so, he'll have to employ not only his weapons and body training, but also his special talent of The Eye of the Beast, which allows him to mind-link to an animal and use its senses. Along with facing Silver Wolf's handpicked team of professional killers, including the intimidating and mysterious person known only as Deathless, Moonshadow will also have to deal with Snowhawk, a ninja from a rival order, one that is sworn against the Grey Lights.

The setting is Japan during the earlier decades of the Tokugawa/Edo era (which ran roughly 1600-late 1800s). Not being an expert, I can't say how accurately the timeline and events hews to actual history, but Higgins himself has a note at the back explaining he's taken many "liberties" in this "romanticized . . . yarn", so one shouldn't try and nitpick factual details. It's a good choice of time setting (or manipulation of time setting) in that Higgins presents us a Japan on the cusp of possible technological and societal change--guns are entering the country and old ways and regimes are being questioned, all of which ratchets up the larger sense of tension while also providing specific plot point. Higgins also does a generally nice, if at times cursory, job of conveying the sense of the time, place, and culture--whether it be via the food, modes of travel, dress, weapons, dueling styles, folktales, etc. While none are delved into, taken as a whole they serve to transport the reader to another time and place.

The characters are mostly engaging, if they fall a bit into predictable line, as does the plot in places. Moonshadow grows as a person making this a coming of age novel, and we see growth as well for Snowhawk, though her story gets saved for better treatment in The Nightmare Ninja. The side characters are a bit two-dimensional, but avoid being simple clich�s. The action is quick-paced and involves a fair amount of fighting that does go into a pretty good amount of detail, blow-by-blow in some cases. Some young readers will eat these scenes up; others may skim through them by the time they get to the third or fourth. That said, Rise of the Ninja I found much better balanced between fights and quieter, more character-driven or suspense-driven plotting than its sequel, The Nightmare Ninja.

As a follow-up, The Nightmare Ninja continues Moonshadow and Snowhawk's stories as the two team up to once again attempt to foil Silver Wolf's conspiracies to take down the current government. The story is complicated by an Order War as earlier competition has turned into out and out warfare between The Grey Light Order and Snowhawk's former order. Even worse for the two young heroes, along with having to face the physical threat of professional killers, Silver Wolf has now employed some who seem to be able to attack via the mind.

As mentioned, the sequel was a step backwards. The biggest problem by far is its lack of balance. The book really careens from one fight scene to another and while each individually may be fine, so many thrown so ceaselessly at the reader becomes a bit wearying and monotonous. The detail in each also seems to have been increased, so that the fights often dragged on well past the point of interest. To be honest, by the halfway point I was skimming fight scenes, at the three-quarters point I was skipping them nearly in their entirety, and at the end, with the climactic one, I went back to skimming. Unfortunately, with so many fight scenes, all that skimming didn't leave me a lot to sink my teeth into. One nice touch in the sequel is Higgin's use of Japanese myths/folklore and the various types of odd creatures and monsters we see, many of them pleasantly unfamiliar (even if they themselves weren't all that pleasant). I wish he had spent more time on those rather in ways beyond long fight scenes. There is a nice understory involving Snowhawk's character and her choice of which path she will walk. It isn't all that subtle, and it unfortunately gets buried beneath all the fighting, but it does raise the book's level a bit. Again, I wish more had been done with it in better fashion.

The series so far remind me of the Otori series of books by Lian Hearn, also set in Japan, in that the first book is quite strong, but then the followings ones pale in quality. Rise of the Ninja is not as strong or well-written a book as Hearn's Across the Nightingale Floor, but it is solidly entertaining, quick-paced, with likable characters who grow over the course of the book. The Nightmare Ninja is a step back, but perhaps Higgins can regain the balance and touch in subsequent books. A decent recommendation for Rise of the Ninja (especially for those who like a lot of action and fighting of the sword/martial arts kind) but advice to skip the sequel for now.

Here is my nine-year-old son's review
The first one was better because the evil was a more looming presence, the ending battle scene was better, and the evil characters were more interesting. The fights were exciting in both. The characters were interesting. In the sequel, I liked how Snowhawk had to learn how to control her rage and fury. And how Kagero was an older version of her so she could see what she would be like. It wasn't quite as good as the first but still good.
First one: 89/4.5
Second one: 82/4

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Rabu, 14 Juli 2010

[G165.Ebook] Ebook Starve Volume 1, by Brian Wood

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Starve Volume 1, by Brian Wood

Once the world's most famous chef, Gavin Cruikshank's been in a self-imposed exile for years. His little foodie television program has since evolved into STARVE, an arena sport that pits chef against chef for the pleasure of their super-rich patrons. It's a stain on a once-noble profession, and Chef Gavin is ready to go to war to stop it. Two things stand in his way: his arch rival Roman Algiers, and his adult daughter Angie, who probably just wants her dad back and acting normal.

  • Sales Rank: #247308 in Books
  • Published on: 2016-01-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.10" h x .50" w x 6.40" l, .0 pounds
  • Binding: Paperback
  • 120 pages

From Publishers Weekly
In the first two pages of this story, Gavin Cruikshank appears to be little more than a narcotics-fueled trainwreck. Readers soon learn, however, that the drugs are just his escape. His real passion is Starve, a reality cooking show of his own making that, in the words of Emeril Lagasse, cranks things up a notch�€”by having competitor chefs kill live animals or engage in close-quarters hand-to-hand fighting. Gavin's ex-wife, Greer, furious that Gavin concealed his homosexuality from her for years, now has control of Starve, but he's about to make his long-awaited reappearance on the show. Wood (DMZ), Zezelj (El Diablo), and Stewart (The Massive) have put together an intense, driven story that's carried by the realism of the character interactions. This is a must-read for those who love a pinch of reality cooking, a dash of evisceration, and a liberal dose of strong graphic storytelling. (Jan.)\n

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1 of 1 people found the following review helpful.
Another cutting edge Brian Wood title
By Alt
Brian Wood is always cutting edge. Each title he writes is wildly different from the last. Starve is my new Brian Wood favorite. I’ve never read anything quite like it.

Starve takes place in a near future where global warming has left a chunk of the East Coast underwater and the Customs service has been privatized. Reality TV has been taken to a new level by Gavin Cruikshank, a chef whose television show, “Starved,” made him a celebrity. Then Cruikshank dropped out, leaving behind an angry wife and a disappointed daughter. Cruikshank’s wife is angry in part because she only belatedly learned that her husband is gay.

As the story opens, Cruikshank has gone native in Southeast Asia. His fun ends when the network insists he fulfill his contract by filming 8 more episodes. Cruikshank is pleased to learn that the show is now worth quite a bit of money, but displeased to discover that in his absence, his wife had him declared legally dead and now owns the rights to the show.

The celebrity chef challenges on Starve are more … challenging … than those offered by typical reality TV shows. And more dangerous, as Cruikshank learns when he returns to his show, which is now in the hands of a rival chef.

There’s always something deeper going on than the surface layer of the story that Brian Wood tells. Starve is about the gap between the rich and the poor. It’s about the over-consumption of resources by the privileged. It’s about the waste and excess and greed that kills the environment and assures that the poor will continue to starve. It’s about the difference between pride in doing something well and the desire to be recognized for doing something well.

And it’s about the love of food. Really good food, well-prepared.

And it’s about a father’s love of his daughter, and how that love demands that he get back in the game and make amends.

Good stuff. Really good. And the edgy, ragged, angular art is perfect for the show’s noir feel. So is the coloring, dominated by black and red.

1 of 1 people found the following review helpful.
Familiar elements in exciting, bloody setting
By Johanna Draper Carlson
Starve is an intriguing blend of food culture and science fiction layered with comment on the life of the privileged and a redemption story. In the near future, the economy has collapsed, and everything has been privatized. The distinction between rich and poor is greater than ever.

Gavin Cruikshank has run away from being a celebrity chef after creating Starve, a cooking competition show. The series, now dedicated to ridiculous excess, is a huge success, and he’s been living off the profits. Although wealthy, he’s been slumming, but now, the network demands he come back to fulfill his contract. He wants to leave it all behind, but he can’t get the resources to do so without reentering the world that he despises.

Much of the comic is Gavin’s internal monologue, juicy description of what he’s thinking while he’s eating or cooking. He’s the kind of self-centered, perpetually drunk jerk people tolerate because he’s just so talented. Only everyone here hates him, particularly his not-quite-ex-wife who resents him not being honest about his homosexuality and his rival, Roman Algiers, who now runs the show.

He’s also got a daughter on the verge of adulthood whom he hasn’t seen in years and wants to reconnect with. This is all part of a classic structure, a story we’ve seen many times before, but the blood on the page — in more ways than one, as live animals are butchered, but also the portrayal of very raw emotions — is addictive in an unclean way. The setting allows for exaggerated actions that somehow seem plausible in this dog-eat-dog world. I feel nervous about enjoying this read, as though it should be forbidden. But then there’s a delicious dish described, and different wants take precedence.

The art is dirty and edgy, much like the events on the show within the story, where contestants are asked to steal a delicacy or serve dog or literally fight their way through competing chefs in another kitchen. The text and the images may only slightly be related to each other, creating meaning through layering or contrast. The art is often monochrome, everything colored in shades of one hue, creating more of an atmosphere than a detailed image to pour over. It’s about the moment, with the artists drawing the eye skillfully to punch the emotion to the reader.

Brian Wood, Danijel Zezelj, and Dave Stewart don’t credit who’s doing what, a contrast to the chef-as-star aesthetic they’re portraying. As Gavin struggles to win, although he doesn’t want to but feels he has to, everyone cheats. There’s a layer of contempt over everything — the people who want to eat delicacies, the mass that have made a mean show a success, the participants and their base motivations, the way the competition is slanted. There are no heroes in this book, although Gavin, with his posturing and eff-you attitude, will be seen as an admirable antihero by some.

Starve collects the first five issues of the series. (The publisher provided an advance digital review copy. Review originally posted at ComicsWorthReading.com.)

0 of 0 people found the following review helpful.
Starved
By Silly Billy
Gavin was a famous chef who starred on his own TV show, Starved. Then he fell off the face of the planet after getting divorced and indulging in drugs. Once he runs out of money, he is called back to the show to finish 8 more episodes and get paid.

I was surprised that I liked this comic so much. The artwork is dark, and not really my style, but it fit the story line and I ended up liking it. I can't help but root for Gavin, even though he walked out on his family and turned to drugs in a far off country. His ex-wife hates him (for abandoning their daughter and for divorcing her after admitting he was gay the whole time), but he is apparently a talented chef and is holding his own on the show. The idea for the cooking show is interesting. It is set in the near future, where certain foods have become so rare that only the super-rich can afford to eat it. This results in the chefs using illegal means to obtain the food, and it is displayed on television for everyone to see.

My only problem is that I don't really like the daughter--she is weirdly clingy towards the dad who left when she was 14.

Anyway, I'm looking forward to Volume 2 to see what new challenges are in store on the show, as well as to see what happens with Gavin's ex-wife, daughter, and assistant.

I received an ebook copy of this book from NetGalley in exchange for an honest review.

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Minggu, 11 Juli 2010

[L284.Ebook] Download PDF Monkey King # Volume 13 : Trust and Temptation, by Wei Dong Chen

Download PDF Monkey King # Volume 13 : Trust and Temptation, by Wei Dong Chen

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Monkey King # Volume 13 : Trust and Temptation, by Wei Dong Chen

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Monkey King # Volume 13 : Trust and Temptation, by Wei Dong Chen

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Monkey King # Volume 13 : Trust and Temptation, by Wei Dong Chen

Monkey King is a twenty-volume comics series based on the legendary Chinese novel The Journey to the West. It is a magisterial work that took seventy people over six years to complete. The Journey to the West is at once a comedy, a drama, a satire, a meditation on faith and discipline, and a fantastical dramatization of China's history. Its creation covers many centuries and several dynasties. Begun during the Song Dynasty (10th~13th century), Journey is set against the backdrop of the 7th century Tang Dynasty, and tells the story of a priest named San Zang, who introduces China to the Mahayana Buddhist scriptures of India, and his trio of disciples: the monkey king Sun Wu Kong, the gluttonous pig Zhu Bajie, and the quiet but noble sea monster Sha Wu Jing. The San Zang who appears in Journey to the West is a specialist in Tripitaka, and is based on a real priest, named Xuan Zang. Xuan Zang lived from 602 to 664, and have traveled the western lands and traded with other countries along the western border from 627 or 629 to 645. More than three hundred years later, a story based on Xuan Zang's adventures, first appeared. The Journey to the West originated from this story. The Song Dynasty was founded in 960, yet because the only known author of Journey to the West, Wu Cheng en, died in 1582, during the Ming Dynasty, the story is considered the result of collective creation spanning five hundred years. The story also traveled through several countries and includes at least four different timelines. The events of Journey to the West, which include epic battles and threatened palaces and imperiled kings, could resonate with readers during almost any age, but the story focuses on portraying a peaceful society where deviance is ultimately trumped by enlightenment, violence defeated by benevolence. It is this balance, between depicting familiar events of conquest and telling a story about the search for truth, that makes The Journey to the West so beloved today. The author, Mr. Wei Dong Chen, is a highly acclaimed and beloved Chinese artist and an influential leader in the New Chinese Cartoon trend. His company, Creator World in Tianjin, is the largest comics studio in China. He has published hundreds of cartoons, which have been recognized for their strong literary value throughout the world. In 2005, he undertook the monumental effort of translating four classic Chinese novels into serialized comic form. After six years of great and enthusiastic work, he completed his dream, which now consists of 12,800 pages of beautiful drawings and epic storytelling. Monkey King is one of the four novels. Monkey King is a new landmark of comic artistry in China, and is a bold and exhilarating treatment of one of the definitive works of Chinese literature.

Vol. 13 Trust and Temptation
Since his journey to the West began, San Zang as relied on the strength and wits of his disciples to overcome adversaries and escape certain death. Now, the four travelers must cross the Women s Kingdom, where the greatest threat isn t a monster or a dragon, but the forbidden desires of the human heart.

  • Sales Rank: #534714 in Books
  • Brand: Brand: JR*Comics
  • Published on: 2012-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.25" h x 5.00" w x .30" l, .53 pounds
  • Binding: Paperback
  • 176 pages
Features
  • Used Book in Good Condition

About the Author
Wei Dong Chen, a highly acclaimed and beloved artist, and an influential leader in the New Chinese Cartoon trend, is the founder of Creator World in Tianjin, the largest comics studio in China. Recently the Chinese government entrusted him with the role of general manager of the Beijing Book Fair, and his reputation as a pillar of Chinese comics has brought him many students. He has published more than four hundred cartoons, which have been recognized for their strong literary value not only in Korea, but in Europe and Japan, as well. Free spirited and energetic, Wei Dong Chen s positivist philosophy is reflected in the wisdom of his work. He is published serially in numerous publications while continuing to conceive projects that explore new dimensions of the form.

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