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From Mose T., one of America's premier folk artists, and his friend, poet Robert Ely, comes a delightful book for adults and children alike. Reproductions of Mose T's fanciful paintings, printed in full color on glossy paper, are accompanied by Ely's playful verse. Subjects include Porky Pine Turtle, the Geek Bird, Swayback Horse, and more. Recently reprinted.

• Sales Rank: #2273751 in Books
• Brand: Brand: River City Pub
• Published on: 1996-09
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 8.50" w x .50" l, .77 pounds
• Binding: Hardcover
• 48 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

14 of 14 people found the following review helpful.
Witty Robert Ely poems inspired by the great Mose T.
By A Customer
Paintings by Mose Tolliver, the key folk art painter from Alabama, who is one of America's greatest living treasures, inspired this gem of a book of poems by Robert Ely. The 8" 1/4-by 8 1/4" volume, published in Alabama by Black Belt Press, includes a brief introduction by Julian Bond. Twenty of Mose T's best known images are finely illustrated here in color, alongside the witty poems they inspired. Featured in the book are the fanciful inhabitants of the town of Slapout, among them the "Hoodoo Man...who learned his art from Kulba Khan," the "Jick-Jack Girl...who "kicks off her shoes when she begins to feel the blues" and "Mose t" himself, the artist who "paints pictures made with real paint...and many folks find them quaint."
--David Ebony, Assistant Managing Editor, Art in America magazine.

3 of 3 people found the following review helpful.
Great Artwork
By William Moore
I love this book completely, I own four originals and this book is a great thing to own. Very good.

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• Sales Rank: #220970 in Books
• Brand: Brand: W. W. Norton Company
• Published on: 2011-11-22
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x 1.50" w x 6.00" l, 2.34 pounds
• Binding: Paperback
• 1328 pages

Features

• Used Book in Good Condition

About the Author
Nina Baym (Ph.D. Harvard) is Swanlund Endowed Chair and Center for Advanced Study Professor Emerita of English and Jubilee Professor of Liberal Arts and Sciences at the University of Illinois at Urbana-Champaign. She is the author of The Shape of Hawthorne’s Career; Woman’s Fiction: A Guide to Novels by and About Women in America, 1820–1870; Novels, Readers, and Reviewers: Responses to Fiction in Antebellum America; American Women Writers and the Work of History, 1790–1860; American Women of Letters and the Nineteenth-Century Sciences and most recently, Women Writers of the American West, 1833–1927. Some of her essays are collected in Feminism and American Literary History; she has also edited and introduced many reissues of work by earlier American women writers, from Judith Sargent Murray through Kate Chopin. In 2000 she received the MLA’s Hubbell Medal for lifetime achievement in American literary studies.

Robert S. Levine (Ph.D. Stanford) is Distinguished University Professor of English and Distinguished Scholar-Teacher at the University of Maryland, College Park. He is the author of Conspiracy and Romance: Studies in Brockden Brown, Cooper, Hawthorne, and Melville; Martin Delany, Frederick Douglass, and the Politics of Representative Identity; and Dislocating Race and Nation: Episodes in Nineteenth-Century American Literary Nationalism. He has edited a number of books, including The Cambridge Companion to Herman Melville; Martin R. Delany: A Documentary Reader; Hemispheric American Studies; and a Norton Critical Edition of Hawthorne’s The House of the Seven Gables.

Wayne Franklin (Ph.D. University of Pittsburgh)�is Professor and Head of English, University of Connecticut. He is the author of James Fenimore Cooper: The Early Years (the first volume of his definitive biography, from Yale University Press), The New World of James Fenimore Cooper, and Discoverers, Explorers, Settlers: The Diligent Writers of Early America. He is the editor of American Voices, American Lives: A Documentary Reader and The Selected Writings of Thomas Jefferson, A Norton Critical Edition, and co-editor, with Michael Steiner, of Mapping American Culture.

Philip F. Gura (Ph.D. Harvard)�is William S. Newman Distinguished Professor of American Literature and Culture and Adjunct Professor of Religious Studies at the University of North Carolina at Chapel Hill. He is the author of many books, including The Wisdom of Words: Language, Theology, and Literature in the New England Renaissance; A Glimpse of Sion’s Glory: Puritan Radicalism in New England, 1620–1660; Jonathan Edwards, America’s Evangelical; and American Transcendentalism: A History. For ten years he was editor of the journal Early American Literature. He is an elected member of the Society of American Historians, the Massachusetts Historical Society, the American Antiquarian Society, and the Colonial Society of Massachusetts.

Jerome Klinkowitz (Ph.D. Wisconsin), is University Distinguished Scholar and Professor of English at the University of Northern Iowa. He is the author or editor of over forty books in postwar culture and literature, among them,�Structuring the Void: The Struggle for Subject in Contemporary American Fiction; Kurt Vonnegut’s America; Literary Disruptions: The Making of a Post-Contemporary American Fiction; and The Practice of Fiction in America: Writers from Hawthorne to the Present.

Arnold Krupat (Ph.D. Columbia) is Professor of Literature at Sarah Lawrence College.�He is the author of, among other books, Ethnocriticism: Ethnography, History, Literature; Red Matters: Native American Studies; and, most recently, All That Remains: Varieties of Indigenous Expression (2009). He is the editor of a number of anthologies, including Native American Autobiography: An Anthology and New Voices in Native American Literary Criticism. With Brian Swann, he edited Here First: Autobiographical Essays by Native American Writers, which won the Wordcraft Circle of Native Writers and Storytellers Award for best book of nonfiction prose in 2001.

Mary Loeffelholz (Ph.D. Yale) is�Professor of English and Vice Provost for Academic Affairs at Northeastern University. She is the author of Dickinson and the Boundaries of Feminist Theory; Experimental Lives: Women and Literature, 1900–1945; and, most recently, From School to Salon: Reading Nineteenth-Century American Women’s Poetry. With Martha Nell Smith, she edited the Blackwell Companion to Emily Dickinson. Her essays have appeared in such journals as American Literary History, English Literary History, the Yale Journal of Criticism, and Modern Language Quarterly.

Jeanne Campbell Reesman (Ph.D. University of Pennsylvania) is Ashbel Smith Professor of English at the University of Texas at San Antonio. She is author of Houses of Pride: Jack London’s Race Lives, Jack London: A Study of the Short Fiction, and American Designs: The Late Novels of James and Faulkner, and editor of Speaking the Other Self: American Women Writers, and Trickster Lives: Culture and Myth in American Fiction. With Wilfred Guerin et al. she is co-author of A Handbook of Critical Approaches to Literature and with Earle Labor of Jack London: Revised Edition. With Kenneth Brandt she is co-editor of MLA Approaches to Teaching Jack London, with Leonard Cassuto Rereading Jack London, with Dale Walker No Mentor but Myself: Jack London on Writing and Writers, and with Sara S. Hodson Jack London: One Hundred Years a Writer. She and No�l Mauberret are co-editors of a series of 25 new Jack London editions in French published by �ditions Ph�bus of Paris. She is presently at work on two books: Mark Twain Versus God: The Story of a Relationship, and, with Sara S. Hodson, The Photography of Jack London. She is a member of the Executive Board of the American Literature Association and founder and Executive Coordinator of the Jack London Society.

Patricia B. Wallace (Ph.D. Iowa) is Professor of English at Vassar College. She is a contributing editor of The Columbia History of American Poetry; her essays and poems have appeared in such journals as The Kenyon Review, The Sewanee Review, MELUS and PEN America. She has been a recipient of fellowships from the NEA, the Mellon Foundation, and the ACLS.

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0 of 0 people found the following review helpful.
seriously don't waste your money on this just find the table of ...
By Amazon Customer
seriously don't waste your money on this just find the table of contents and look up the poems/samples individually

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By Verra
Shipped very quickly and as exactly as described — I can't ask for more; thank you!

0 of 0 people found the following review helpful.
Three Stars
By Amazon Customer
For school.

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[G331.Ebook] Fee Download The Languages of Dubbing: Mainstream Audiovisual Translation in Italy (Linguistic Insights)From Peter Lang AG, Internationaler Verlag de

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The purpose of this volume is to investigate the languages of dubbing. The plural evokes the complex interplay of different codes as well as the numerous levels of analysis involved. The volume focuses on the languages of Anglophone films and television series and their dubbing into Italian while broadening the perspective to the general debate on audiovisual translation. Dubbing offers itself as a privileged place where languages interact in simulating, creating and recreating fictive orality and where influential linguistic and pragmatic conventions are generated and developed. The chapters cover a rich range of topics including syntactic, lexical and sociolinguistic features of audiovisual dialogue, cross-linguistic contrasts, and the translation of culture specific references and multilingualism on screen. The volume provides an updated picture of research on Italian dubbed language, a key area of inquiry with reference to the investigation of telecinematic discourse, Audiovisual Translation and Corpus-based Translation Studies.

• Published on: 2015-03-17
• Original language: English
• Number of items: 1
• Dimensions: 8.75" h x 5.75" w x .50" l, .0 pounds
• Binding: Paperback
• 275 pages

About the Author
Maria Pavesi, PhD, is Professor of English language and Linguistics at the University of Pavia. She has coordinated several national and international research projects and has published widely on language learning, audiovisual translation and the features of spoken language in film dubbing, including personal and spatial deixis.
Maicol Formentelli, PhD, is researcher in English language and Linguistics at the University of Eastern Piedmont. His main research interests are native and non-native varieties of English with a more recent focus on the sociolinguistics and pragmatics of film dialogue.
Elisa Ghia, PhD, is contracted lecturer of English Language and Translation at the University for Foreigners at Siena and the University of Pavia. Her research interests include second language acquisition, audiovisual translation, corpus linguistics and the study of spoken English.

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Soon to be a major motion picture starring Matthew McConaughey and Idris Elba

The fourth volume in the brilliant Dark Tower Series is “splendidly tense…rip-roaring” (Publishers Weekly)—a #1 national bestseller about an epic quest to save the universe.

In Wizard and Glass, Stephen King is “at his most ebullient…sweeping readers up in…swells of passion” (Publishers Weekly) as Roland the Gunslinger, Eddie, Susannah, and Jake survive Blaine the Mono’s final crash, only to find themselves stranded in an alternate version of Topeka, Kansas, that has been ravaged by the superflu virus. While following the deserted I-70 toward a distant glass palace, Roland recounts his tragic story about a seaside town called Hambry, where he fell in love with a girl named Susan Delgado, and where he and his old tet-mates Alain and Cuthbert battled the forces of John Farson, the harrier who—with a little help from a seeing sphere called Maerlyn’s Grapefruit—ignited Mid-World’s final war.

Filled with “blazing action” (Booklist), the fourth installment in the Dark Tower Series “whets the appetite for more” (Bangor Daily News). Wizard and Glass is a thrilling read from “the reigning King of American popular literature” (Los Angeles Daily News).

• Sales Rank: #15430 in Books
• Brand: Scribner Book Company
• Published on: 2016-05-03
• Released on: 2016-05-03
• Original language: English
• Number of items: 1
• Dimensions: 8.37" h x 2.00" w x 5.50" l, .0 pounds
• Binding: Paperback
• 928 pages

Features

• Scribner Book Company

Amazon.com Review
Wizard and Glass, the fourth episode in King's white-hot Dark Tower series, is a sci-fi/fantasy novel that contains a post-apocalyptic Western love story twice as long. It begins with the series' star, world-weary Roland, and his world-hopping posse (an ex-junkie, a child, a plucky woman in a wheelchair, and a talking dog-like pet named Oy the Bumbler) trapped aboard a runaway train. The train is a psychotic multiple personality that intends to commit suicide with them at 800 m.p.h.--unless Roland and pals can outwit it in a riddling contest.

It's a great race, for the mind and pulse. Movies should be this good. Then comes a 567-page flashback about Roland at age 14. It's a well-marbled but meaty tale. Roland and two teen homies must rescue his first love from the dirty old drooling mayor of a post-apocalyptic cowboy town, thwart a civil war by blowing up oil tanks, and seize an all-seeing crystal ball from Rhea, a vampire witch. The love scenes are startlingly prominent and earthier than most romance novels (they kiss until blood trickles from her lip).

After an epic battle ending in a box canyon to end all box canyons, we're back with grizzled, grown-up Roland and the train-wreck survivors in a parallel world: Kansas in 1986, after a plague. The finale is a weird fantasy takeoff on The Wizard of Oz. Some readers will feel that the latest novel in King's most ambitious series has too many pages--almost 800--but few will deny it's a page-turner.

From Library Journal
Frank Muller's reading of King's fourth book in a projected seven-part series (e.g., The Waste Lands: The Dark Tower, Bk. 3, Audio Reviews LJ 2/15/92) is effective in creating a suspenseful and fearful atmosphere. We find Roland, the knight errant/gunslinger, continuing his quest to attain the Dark Tower, the source of destructive forces in his Mid-World. A major portion of this work is a recounting by Roland of his ill-fated love affair with Susan Delgado. The writing is expectedly imaginative, the story line engrossing, and the characters vivid. The listener is carried along through alternating Western, urban, and futuristic settings. The work stands on its own, incorporating a summary of Books 1-3, but will be better appreciated if listened to as part of the whole. Recommended for sf/fantasy collections and Stephen King fans.?Catherine Swenson, Norwich Univ. Lib., Northfield, Vt.
Copyright 1998 Reed Business Information, Inc.

From Booklist
The fourth volume in King's protean fantasy saga, The Dark Tower, doesn't advance its heroes' journey to that edifice much from where The Waste Lands (1992) left them, but at least it gets them out of the fix they were in and primed to get into another. The book's 720 pages are mostly devoted to a flashback in which principal protagonist Roland of Mid-World relates his initial exploits--at 14--as a gunslinger. Those adventures involved plenty of mayhem and also his first, ultimately disastrous love affair. King acknowledges in an afterword that it took him a long time to write this story because he was not confident of his ability to write of "the heat and passion of seventeen [sic]." Many may feel his mistrust was well placed, for the romantic stuff is rather a yawn. Unfortunately, the blazing action that succeeds it is hackneyed stuff typical of movie and TV westerns--strictly intentionally, though, for Roland's world of origin is a post^-nuclear holocaust culture that has reverted to earlier ways, including those of knightly chivalry and pistol-packin' cowboys. Still, King is the genre fiction writer's genre fiction writer, and the action that is hackneyed here is also, as noted, blazing--brightly. Ray Olson

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2 of 2 people found the following review helpful.
The Middle of the Best modern epic story
By Richard Bradley
I don't like writing about these books as though they are independent. As I may have said before, to me, this is one story. I have read the Dark Tower in its entirety at least the times counting now. The first time took years. The second all the way through, which I am doing again now. This time on Kindle. Anyway, this volume is my least favorite. It does hold the beginning and the end together, which is what themiddle should do. The story of Susan is just a little too long. But I know why Roland must tell it, and why King had to write it. You might know too. So now on to the next part. I need to finish it before they release the movie they are making as it cannot live up to what is on these pages or what is in my head. There are more worlds than these.

0 of 0 people found the following review helpful.
Anyway, I Liked The Book...
By Leon Fox
There is a lot to commend this book and the author on. From the bending of time, places, our world, other worlds, science, history and fantasy. Needless to say, this isn't a common science fiction book or story.

Generally I would say anyone or everyone would like this story, particularly in light of all the great stuff that lead up to this book 4. Still, this is book 4, so it does "help" to start with book 1. Also you get more out of this if you have at least explored some of our own history, music, places, basically life. References to all these thing (music quite a bit) all make this a better story... if know the reference. If not, still good, just better if you do. You all do know who ZZ Top is and their song Velcro Fly... right?

Also I believe you have to either read this as just light, pre-movie fluff or (as I recommend) a true classic foundation of science fiction that crosses the various genres and strikes deep philosophical cords in the meaning of our lives, place that technology holds on or with us, the matter of cause and effect of our actions or of others and many more deeper meanings.

1 of 1 people found the following review helpful.
with each reading it’s getting better (if that’s possible)
By R.A. Marvel
This is my third time reading this series and it hasn’t gotten stale. In fact, with each reading it’s getting better (if that’s possible). Next to The Stand, this series is my favorite SK. There’s no one better at weaving a complex story than SK and The Dark Tower is just that – complex, moving, exciting, terrifying and extremely sad. A majority of the series is set in a fictional world very much like our own and there are “thin” spots where one is able to go between our world and Roland’s world.

**SPOILER**

Roland recounts his youth one evening by the camp fire. His drawn three Susannah, Eddie, Jake plus the billy bumbler Oy are his rapt audience. The story of Susan Delgado and Roland’s youth is like a book within a book and could easily stand on its own. Roland is a newly crowned gunslinger at age 14 and he’s sent away by his father (along with his two best friends Cuthbert and Alain) to the safety of a small village in the west. When the trio arrives they find treachery brewing and Roland finds his first love, the beautiful Susan. Roland is introduced to the Dark Tower via a magic pink glass ball and his quest begins.
The loss that Roland suffers at his young age definitely helps shape him into the man he becomes.

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• Sales Rank: #5938893 in Books
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• Sales Rank: #2289889 in Books
• Published on: 2015-06-04
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .56" w x 5.51" l, .78 pounds
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2 of 3 people found the following review helpful.
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